It's easy to scoff at juvenile humor. You hear a single utterance of 'fuck' or 'pussy,' and you turn your nose up at the lack of sophistication. No laughter escapes your tightly pursed lips. You fume with rage, images of smug, pathetic 13-year-olds spending daddy's cash on the newest Adam Sandler record cascading through your highly evolved brain. But those tightly pursed lips are trembling. Somewhere deep inside you, buried beneath back issues of The New Yorker and piles of free jazz CDs, something is happening. Almost like a little 13-year-old boy kicking you in the nuts from the inside and saying, 'Dude!
That is fucking funny!' Sure, you can deny this reaction. But the fact remains that, when executed properly, juvenile humor can be absolutely hilarious. If the timing's right, the phrasing's right, and the context's right, a well-placed 'fuck!' Can translate into unquestioned excellence. Of course, establishing the correct context, timing, and phrasing is not at all easy.
And establishing it in such a way that it will entertain upon repeated listening is practically impossible. Ween's debut album, God Ween Satan: The Oneness, is a massive, near-overwhelming bombardment of profanity, hard rock riffing, and goofy genre parody. But no matter how absurd Ween are being, they always manage to accomplish a seemingly contradictory task: sounding exactly like every band operating within the genres they attack while sounding only like themselves. 'You Fucked Up' is a perfect mission statement for Ween- a sloppy, furious faux-metal number with recklessly shrieked, flat-out hilarious vocals. Granted, there's nothing particularly funny about the lyric, 'You fucked up/ You fucking Nazi whore!'
But in the context of a psychotic hard rock song, it's difficult to miss the humor. 'Tick' couples the overblown rage of 'You Fucked Up' with a unique brand of twisted, gleeful pop, while 'Don't Laugh (I Love You)' distills this warped glee to its purest, most cloyingly twee essence. Songs like 'Tick' and 'You Fucked Up' succeed largely because they tap into that most primal, basic urge to rock out. Sure, there's an undeniable element of parody to these songs.
But the parody is backed up by the fact that the songs themselves are actually really, really good. Fortunately, God Ween Satan isn't all crunchy riffs and barely contained screams. Stylistically, the album is absolutely all over the place. 'L.M.L.Y.P.,' a longtime fan favorite and live staple, takes on the obscure Prince b-side 'Shockadelica,' adding a distinctively Ween twist. Cheesy talk box guitars and slapbass provide perfect backing for a hilarious take on Prince's over-the-top sexuality, with Gene Ween's effects-laden vocals intoning in a high-pitched warble, 'Let me lick your pussy/ Let me lick your cunt.' At over eight minutes, 'L.M.L.Y.P.'
Does come awfully close to outstaying its welcome. Download digitalpersona u.are.u sdk. But let's not forget that 'Purple Rain' clocks in at an eternal 8:40. 'Squelch the Weasel' is the closest thing to a folk song to be found on God Ween Satan. Unlike the straight-up lyrical imitation of 'Cold Blows the Wind' from The Mollusk, 'Squelch the Weasel' is a folk song about. Lyrical and musical elements from traditional folk music, or at least the commonly held notion of what traditional folk music should sound like, permeate the song, but there's no question that this is pure Ween. The same can be said for 'Up on the Hill,' a gospel-styled number about the demon god Boognish that is perhaps the closest thing to a theme song the brothers Ween have recorded. A dramatic, multitracked Gene Weens croons, 'When I was younger/ My momma told me/ She said, 'Gener, I wanna smell it'/ And then she smelled it/ And it was smelly/ And I said, 'Lordy lordy lord, I'm coming home.'
It's gospel, but it's totally fucked. And yet it's pulled off convincingly enough that it can be enjoyed just as much outside of the context of a parody as inside. Like any 29-song schizophrenic freakout, God Ween Satan is not without its highly questionable moments.
'Common Bitch' is a weaker version of 'You Fucked Up.' 'Mushroom Festival in Hell' gets points for sounding exactly like its name, but also loses points for sounding exactly like its name. The aforementioned 'Don't Laugh (I Love You)' closes with a frightful swirl of toneless vocals that, though annoying, seems to be in keeping with the pure dementia of this album. But this, the '25th Anniversary Edition' of God Ween Satan, finally fixes the one biggest problem that confronted the original: undeniably shitty production. The whole album played at what seemed like a good 10 decibels below most other CDs, and the sound quality in general was aggravatingly muddled.
Finally, thanks to the magic of technology, God Ween Satan can be heard in all its crisp, pure glory, without the loss of the rough-edged sound that's been a major element of the album. And it's a good thing, too, as this is one of the most wonderfully twisted albums ever to be released upon the unsuspecting masses. Unafraid to say 'fuck' for no apparent reason, unafraid to rock out on cheesy metal riffs, and unafraid to pick to pieces just about every variety of music, Ween managed to capture the essence of their sound on their debut as well, if not better than, on any later album. And as a result, God Ween Satan isn't just good. It's fucking good.
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Sort by: Rating 5.0 classic obsessing over this one till the end of time I can't stop listening to this help The legends were true. 'Cause why the fuck not, right? Never got into classical myself (since it's such a daunting genre), but damn it all if this isn't just fantastic. On a side note, I finally know where 'Ode to Joy' is from. 'There is a big difference between music and sound.
Sound comes from the earth, but music comes from heaven.' TOO PURE FOR THIS WORLD. Please do yourself a favor and listen to this. The thing is. I don't even like plants all that much. This is going to be my 10,000th rating.
Edit: This is my 10,000th rating. This is going to be my 13,817th rating. Edit: This is my 13,817th rating. Slowly but surely becoming one of my favorite albums of all time. Each new listen is better than the last.
Download here (?): We really need a 'spoken word' tag. 4.5 superb I'm just going to look at Cyclo's 1.0s for recs from now on Also, this: I was so wrong about this group Edit: okay, I was wrong about their early self-release stuff, their later stuff still bores me The final frontier. Absolutely wonderful. Disco Inferno have been in my back catalog for years, I'm so glad I finally decided to give them a spin.
Why can't I hold all these @GhandhiLion recs? If we're speaking truthfully, I thought that this was a 3-track EP back in the day until I looked at the run-time. Nonetheless, this is quality stuff. Raaja representing the south side the only way we indians know how: soundtracks If you liked the jazzy, experimental Saints you heard on Prehistoric Sounds, then this is the next logical step. Took a big chunk out of Ted the Loaf, it was love at first bite. Some great Residents worship oh dear, didn't expect this to be so goood Has my favorite version of Don't Let's Start.
Can't believe I had to add this to the database. All this TMBG talk is making me feel old;-; 4.0 excellent Monkey's Paw: I just listened to a fantastic record, but I can't call it AOTY because it's a re-release. Try finding this one in the database suckers! Well, my secret club is no more. Link to album: New Martin Rev and new unreleased album from Alan Vega in the same year?:0 20172016 A Second Opinion: Because @ArsMoriendi Asked Nicely So apparently, there's some sort of weekly ritual that you must take part in before listening to the album for the first time and I feel that's a sign of quality right off the bat. Album reminds me a lot of early-Sun City Girls and Fellers, but with more noise thrown in for good measure. I do hear that bluegrass influence, but also some surf and eastern folk, which is cool beans.One of the major draws for me are the vox.
Lots of captivatingly-strange vocal performances, one of my many musical weaknesses (right up there with early-80s post punk and skramz). While it does have a lot of the 'staples' a strange album like this would have, I feel it makes itself distinct enough to warrant it a listen. It's a fun romp through what can only be described as 'Definitely recommended if you like the Similar Bands listed. Consider yourself opinion-ed, and thank you for the rec. If I had heard this last year, it would've been in my top 3 easily. The naivete of a children's record, but with even worse lyrics. 'The Last LP' I'll never love again.
WHY DOESN'T ANYONE TELL ME ABOUT THINGS Edit: This is so good it's almost scary I get why everyone loves it, but that doesn't mean I have to love it. But I still like it. Edit: ok fine, I love it. Isolated Vox: This band used to be so good. Like god damn good. The VU and Luna Not the same 'Luna,' but damn this is pretty cool.
2017's already a better year than last year and it's still January. This right here. This is gonna be my AOTY. I can feel it. C'mon gimme a 20 Edit: Okay, well if we don't count '.' or whatever their name is, then this is definitely AOTY so far. Talking Heads '77 Talking Heads '77.
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. Length 76: 15 chronology (1989) 1989 GodWeenSatan: The Oneness (1990) (1991) 1991 Professional ratings Review scores Source Rating B+ 9.6/10 GodWeenSatan: The Oneness is the debut studio album by American rock band, released in 1990.
The album introduces several key themes for the group, including their eclecticism, gonzo sense of humor, and their demon god/mascot, the Boognish. Reissued the album in 2001, jokingly referring to it as the '25th anniversary edition' despite the album only being eleven years old. The reissue features digitally remastered sound, new packaging, and the inclusion of three bonus tracks, 'Bumblebee Part 2', 'Stacey', and 'Hippy Smell', integrated into the original album's playlist. The album contains several tracks that are long time staples of Ween's live performances, such as 'You Fucked Up', 'Fat Lenny', 'Marble Tulip Juicy Tree', and 'L.M.L.Y.P.' The band performed the album in its entirety in 2001. The performance was subsequently released on the live album in 2016.
Contents. Track listing Original release No. Title Length 1. 'You Fucked Up' 1:37 2.
'Tick' 1:53 3. 'I'm in the Mood to Move' 1:16 4. 'I Gots a Weasel' 1:22 5. 'Fat Lenny' 2:07 6. 'Cold + Wet' 1:12 7.
'Bumblebee' 1:19 8. 'Don't Laugh (I Love You)' 2:49 9. 'Never Squeal' 2:25 10. 'Up on the Hill' 1:56 11. 'Wayne's Pet Youngin' 1:41 12. 'Nicole' 9:20 13.
'Common Bitch' 1:46 14. 'El Camino' 2:17 15. 'Old Queen Cole' 1:34 16. 'Nan' 2:55 17. 'Licking the Palm for Guava' 1:07 18. 'Mushroom Festival in Hell' 2:35 19.
'Papa Zit' 1:15 21. 'Old Man Thunder' 0:23 22.
'Birthday Boy' 3:31 23. 'Blackjack' 4:36 24. 'Squelch the Weasel' 3:11 25. 'Marble Tulip Juicy Tree' 5:24 26. 'Puffy Cloud' 2:40 2001 '25th anniversary' edition No. Title Length 1.
'You Fucked Up' 1:37 2. 'Tick' 1:53 3.
Understanding The Oneness Of God
'I'm in the Mood to Move' 1:16 4. 'I Gots a Weasel' 1:22 5. 'Fat Lenny' 2:07 6. 'Cold + Wet' 1:12 7. 'Bumblebee' 1:19 8. 'Bumblebee Part Two' 1:23 9.
Explain The Oneness Of God
'Don't Laugh (I Love You)' 2:49 10. 'Never Squeal' 2:25 11. 'Up on the Hill' 1:56 12. 'Wayne's Pet Youngin' 1:41 13. 'Nicole' 9:20 14.
Sectia 20 politie crangasi program. 'Common Bitch' 1:46 15. 'El Camino' 2:17 16.
'Old Queen Cole' 1:34 17. 'Stacey' 1:58 18.
'Nan' 2:55 19. 'Licking the Palm for Guava' 1:07 20. 'Mushroom Festival in Hell' 2:35 21.
'Papa Zit' 1:15 23. 'Hippy Smell' 2:11 24.
The Oneness Of God Pdf
'Old Man Thunder' 0:23 25. 'Birthday Boy' 3:31 26. 'Blackjack' 4:36 27.
'Squelch the Weasel' 3:11 28. 'Marble Tulip Juicy Tree' 5:24 29. 'Puffy Cloud' 2:40 Personnel. – guitar, vocals. – guitar, vocals, drums.
– bass guitar, producer, mixing. David Williams – backing vocals on 'I'm in the Mood to Move'. Eddie Dingle – vocals on 'Nan'. Theo Van Rock – mixing - Mixed at the Zion House of Flesh - Additional drums recorded at Graphic Sound by Greg Frey References.
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